September 19, 2011

Flint Rockbody and the Case of the Mystery

Some of you may or may not know that I'm a minor internet celebrity. Now, I wouldn't call what I do over at goawaybobby moonlighting, as the relationship between me and the "person" running the tumblr lacks all of the sexual charisma that Bruce and Cybil created all those many moons ago. No, my connection to that remote outpost of internet culture is mostly due to the fact that I sit fifteen feet from a person who obsessively writes down everything I say and then sits back and stews in a kind of gleeful, perverse, emotional goulash as she reaps the benefits of my mind.

No matter.

People have taken to submitting questions to the tumblr in hopes that I'll say something wacky, odd, perhaps even quirky. One such person recently wrote with a request that I write a story, albeit one with certain constraints. The request in question went a little something like this:
Please have Bobby tell a story meeting the following criteria. 1) Must contain: a) A magic sock b) A talking bird c) Three types of pastry. 2) May not contain: a) Any other magic, or talking animals b) Trains c) Sand. 3) Choose two of the following a) Takes place in a Submarine. b) Features a bank heist c) Is a Benthamite morality play. The quality of this story will in no way effect Bobby's imigration status.
So I wrote it, and submitted it to the lady in charge of goawaybobby, and she proceeded to forget it existed. Then I was like, "Fuck that noise, I already have access to internet. I'll put it on internet myself." So here it is. I put on internet. Enjoy.



Flint Rockbody hadn’t even opened his eyes when he knew that it was going to be a shit day. It was the kind of feeling in his gut that came to visit without warning, a feeling that brought suitcases and vacation slides and expected a bed plus three square meals a day. He’d had this particular houseguest visit before, right before his three wives left him, his dog got hit by a car, and his favorite tie got caught in the paper shredder.

Oh yeah, and before he was turned into a bird by a magic sock.

Flint sighed and fluttered down from his roost. He was molting again, a common enough problem if you’re the type of fella born a cockatoo or bluejay, but an altogether difficult turn of events to adjust to if you used to be a 6’1’’, red-blooded, prime piece of grade-A human.

He looked in the bird-mirror before him. Even for a man-turned-bird, he was looking rough. His feathers were all askance due to the molting business, and his beak was stained from the Pall Malls he chain-smoked daily. Smoking had been tough to continue without hands or lips, but he’d found a way. When tobacco calls, you find a way, baby. A gut defied all laws of anatomy and speciation to take up residence on his midsection, and his eyes were red-rimmed and watery. Christ, did he need a drink.
Making his way over to the liquor cabinet for some bird-whiskey, Flint found himself, in his daily fashion, sinking into the reminiscence of that fateful day. The day he was turned into a bird by a magic sock.

***

He’d been working on a case like any other. J. Pippington Smothersbee, the local beer and sausage magnate, had hired him to find out if his dame was stepping out on him. It had only taken two nights and three packs of cigs to wise up to her funny business, and even then the second night was just to hike up Smothersbee’s bill. Flint had definitive evidence that one Mrs. Delilah “Boobs” Smothersbee was in fact the plaything of J. Pippington’s partner, oldest friend, and fellow treasure-hunting enthusiast: Reginald Cotton Pumps. Pumps was seeing his pal’s lady alright; seeing every last rotten inch of her.

Flint knew what he had to do, but he didn’t particularly like it. It was his job to deliver the wire, even if it was lousy. Especially if it was lousy. But J. Pippington had a bit of a reputation as a bruiser and a boozer, only you had to change the sentence so that you got rid of “bit of a,” and put “definitely” between “Pippington” and “had.” The sentence was supposed to read “But J. Pippington definitely had a reputation as a bruiser and a boozer.”

So here it is: But J. Pippington definitely had a reputation as a bruiser and a boozer.

If Flint turned in the evidence and confirmed J’s worst fears, he’d get his payday, but Boobs and Pumps would get an altogether different kind of payday, and not the kind with chocolate and nougat. It would be more of a pain-day, on account of all the punchin’ and murderin’ that would take place. On their bodies.

Flint was in the middle of what you might call a moral quandary, and the way he handled it would have ripple effects…ripple effects that rhymed with “murned minto ma mird.”

***

The buzzer at his desk called his name, but he didn’t feel like answering. Flint’s new secretary was a fine piece of tail, but a tail he was incapable of chasing. There were too many differences: she was an indoors-type, liked romance movies, and had a Catholic family. He was all of these things as well, but he was also a bird. And despite the wings, that just don’t fly with some people.

He pressed a wing down on the intercom, preparing some witty banter and almost succeeding.

“Whaddya wan?”

“Mr. Rockbody, a woman is here to see you. She’s requesting you by name.”

“Well she oughta, it’s stenciled on the door.”

“Mr. Rockbody, she says it’s urgent.”

Flint stared out the window. He hadn’t taken a case in weeks. It had been two years since he’d been turned into a bird by a magic sock, and for the most part, he’d been able to keep things copacetic. But lately… lately it had all seemed as hollow as his bones, which are like that to lighten a bird’s body and help them fly. Only this hollowness didn’t have no biological benefit. It was just a gnawing pit in his soul reminding him of the humanity he’d lost and the birdanity he’d gained.

But maybe…

This feeling in his gut, the one he woke up with. He’d woken up with some ugly bedmates before, but not onelike this. This one preceded a mystery dame walking into his office who was able to read his name off the door. Maybe this one was different.

He pressed the button.

“Send her in. And Kandy? Get me some coffee and a cheese danish. I need to sober up today.” He paused. “Also get me some bird seed, because I was turned into a bird by a magic sock once.”

***

In the history of legs, there have been some legs, and then there have been some legs. What walked into Flint’s office just then was Trouble on two of the finest stems he’s ever laid eyes on, human or bird. Working his way slowly skyward, he was treated to a body poured into a red silk dress, garnished with a face out of mankind’s dreams, lips red like a maraschino cherry. Her little number was topped off by a hat that put Flint in mind of those little umbrellas you get in fruity drinks. The whole effect was not unlike a well-constructed cocktail. It was unclear whether the hangover from this particular cocktail would be worth it, but Flint was willing to find out.

He felt like he was on a roll with the alcohol similes and metaphors, so he threw one more out there for the universe to sip on. Her voice, when it came, was smooth as the best scotch and twice as smoky.

“Mr. Rockbody, my name is Yvette Sexunfueller. I’m afraid I come to you with a…delicate matter.”

“Delicate was my uncle’s middle name.”

“I am able to pay for your services, of course.”

“Lady, I wouldn’t expect anything different from someone of your obviously upstanding station in life.”

“Mmm. And you are discreet? If this were to become public, it could be disastrous for me.”

“Discretion is my other uncle’s middle name.”

“…Is this normal, in America? To give such unusual middle names? What were there first names?”

“Jack and William.”

“I see. Very good. I suppose I should proceed with my problem. I have a sister. She was married to a very powerful man in this region. Two years ago, she disappeared, along with his business partner. I have reason to believe they eloped together to get away from her husband, a brutish, boozy man. I need to find her immediately to convey extremely important information. I need you to find her.”

“Let me guess: her name is Delilah “Boobs” Smothersbee and the man she eloped with is Reginald C. Pumps.”

Yvette went white as she gasped out “H-how did you know?”

“Because I’m the man who helped them disappear.”

***

It took Flint some fast-talking to make Yvette understand that he was her sister’s ally in all of this, that it was his silence on the matter to her husband that had allowed her and Pumps to hightail it outta there. It was this same act that had sealed his avian fate.

After getting some details about where she was staying, Flint sent her on her way with the assurance that he’d check in regular-like. After finishing his coffee and cheese Danish, which still counts as the first pastry, he left the office.

Coming up the main hatch was always a pleasant feeling. Flint had gotten the abandoned submarine for a song, but it could get cramped in there, and the lack of natural light did something to a guy. Yessir, working on a submarine was something. He liked to shake his wing at the universe for his condition, and for a creature meant to be flying majestically in the sky, working beneath the waves was about as big an “up yours” as he could muster.

Taking wing on a firm gust of air, Flint mused on the issue before him. He had gone to Boobs and Pumps before going to Smothersbee two years ago, and it had given them time to boost town before the wrath of the old man could find them. Unfortunately, he had then lost track of them on purpose so as to let their trail go cold and give them an honest shot at a new life. Yvette had reason to believe the Boobs and Pumps may have come back to the city due to a letter she had received. Apparently, the couple had something of great importance to retrieve and needed to do it sooner rather than later.

He took a break from all this thinking to shit on a car as he flew over it.

What could be so important that they would risk life and limb to come back? Smothersbee’s beer and sausage empire had it’s cold fingers in every aspect of city life. The cops, city hall, the library system… elementary schools. Everything in this town had beer and sausage money flowing through its corrupt, clotted arteries.

Flint decided to go to his favorite restaurant and see if a snitch he knew had any gems to share. The place was a pie restaurant and he was going to eat some goddamn pie.

***

“Jimmy, Jimmy, Jimmy, didn’t anyone tell you that eggs got cholesterol, they’ll give you a heart attack?”

“You really care about me, Rockbody, or are you just pissed that these scrambled beauties might be your kids?”

There weren’t too many fellas who were able to get off a crack about Flint’s condition without a serious pecking, but Jimmy St. Saint was one of them. He and Rockbody went back ten years. Flint was a real cop back then, also a human, investigating one of his first murders. Jimmy had been implicated, but Flint managed to dig up evidence exonerating him, and they’d been something close to grudging acquaintances ever since.

“Waitress, a slice of your best blueberry, please.”

The slice arrived hot and with a dollop of whipped cream making itself cozy on top. Flint dug in.

“Jimmy, you hear anything about Boobs Smothersbee and Reggie Pumps coming back into town?”

Jimmy exhaled slowly through his mouth, leaning back in his seat and running his hands through his hair. After a minute he leaned back in. “Rockbody, listen man. This one’s big. Normally I’d help you out, but this is something I really can’t get mixed up in.”

“What’s the matter, Jimmy, you look like you just seen FDR himself rise from the grave.”

“Rockbody, I’m tellin’ ya. Stop asking. You of all people should know…”

“Whaddya mean, me of all people? What the hell are you talkin’ about, Jimmy?”

Jimmy pinched his lips. A few tense seconds passes before he leaned in even closer, whispering now.

“Word on the street is J. Pippington Smothersbee has that sock of yours.”

If it was possible for a bird to blanch, Flint did. Under his rich, luxurious foliage, the blood drained away from his skin faster than a Kentucky stallion lookin’ to make time with the prize mare.

“You tellin’ me he’s got the sock?” he asked quietly.

“Not only does he have it, he’s got it locked up in First National Bank’s most secure vault. After your little…tussle, it was thought lost forever in the inky depths of the river, but he’s spent the last two years secretly dredging, looking for it, and word is he found it two weeks ago. If Boobs and Pumps came back to town, dollars to donuts they came back for that.”

He was right. It was a totem of untold power and energy, a sock of the most powerful eldritch magicks. After the Wizard’s Congress of 1815 banned magick in these United States, there had been no sign of anything remotely fantastical within our borders until two years ago, when Smothersbee and Pumps found the sock while treasure hunting in a sunken pirate ship off the Barbary Coast. They had brought it back, but Pumps recognized its awful power and, in addition to the fact that he was screwing his buddy’s wife on the side, decided to try and steal it and get the hell out of dodge before Smothersbee, mad with rage and sock-power, could use it for evil.

Which is where Flint came in. His investigation into Boobs’ extramarital hobbies had landed him smack in the middle of a war he couldn’t even comprehend. By warning Pumps, he had saved the man’s life and earned the ire of Smothersbee. When J. Pippington found out what had happened, he unleashed the full force of the sock on Rockbody. Had he only received a small amount of the sock-force, he may have been only minorly affected. But Instead of becoming a man with bird-like features, or ever a big bird like an ostrich or emu, Flint had become a regular old bird, nothing special about him or anything. Truly it was his darkest hour.

“Flint? Flint, you hearin’ me, man?”

Flint came back from his dark place.

“Yeah, I hear you Jimmy.”

“Walk away from this one, pal. Ain’t gonna bring you nothing’ but misery.”

Flint dropped a twenty as thanks for the info and fluttered over to the door. He opened it to leave, but paused and turned back.

“You think I need help finding misery, Jimmy? I’m a bird. Cats try to eat me every day. People look at me like I’m a flying rodent. Misery’s been my wife since that sock blasted me. But I want a divorce. If that sock turned me into this, then it can turn me back. You said it was in First National’s main vault?”
Jimmy nodded imperceptibly.

“Then this just became a bank heist, bitch.”

***

Flint was practically blind to the world. The competing emotions of rage towards Smothersbee and hope that he could be human again waged a war in his mind that would’ve made World War II look like a minor fracas. He made his way back to the submarine on instinct alone, thanks in part to the fact that birds have special iron shavings in their head that let them navigate using the Earth’s magnetic fields.

He climbed down the main hatch, walked past Kandy, and heard some muffled claptrap about how there were people waiting for him in his office. He didn’t have time for a new case, and practically knocked his own door down ready to kick the bums out when he was met by the faces of Boobs Smothersbee and Reginald Pumps.

***

The three of them sat in the alley outside the bank. It had been fairly simple to get everyone on the same side. Pumps and Boobs just wanted to make sure that the sock was no longer in Smothersbee’s thrall, and Flint just wanted to be Flint Rockbody, average Joe. The partnership was of mutual benefit to all parties, and so they went to the bank for the purpose of knocking it over.

“What’s the plan?” asked Boobs.

“I’m going to fly in through that window and use my beak to rip up the place’s electronics,” Flint said.

“And then?” asked Pumps.

“Then you two run into the vault and get the sock. Piece of cake”

“Okay,” said Pumps.

***

Flint took wing through the window and used his beak to rip up the place’s electronics. Then Boobs and Pumps ran into the vault. Flint followed suit like a bat out of hell, which wasn’t hard because both of those things fly. The three of them were burning rubber until they got to the sock.

There it lay, seemingly impotent on the bank vault’s most ornate pedestal. All three knew better. Aimed in the right direction and with enough concentration, that sock could rob an entire city of their humanity, turning them all to birds.

“Do we just take it?” asked Boobs.

“I should say not!” boomed a voice from behind them. The trio spun around so fast Pecos Bill would have been jealous. That meddlesome houseguest living in Flint’s gut suddenly went off like a five alarm fire. This bad day had just gone from worse to gruesome, with a side of rotten.

J. Pippington Smothersbee stood before them with a goon platoon that would have made Al Capone tremble. They were all there, the city’s worst and brightest: “Jingles” Macaroni, Big Todd Smackeroo, Tiny Bill the Tiny Man, Average-sized Ned, Plopper, Questo the Quest Pro, and the Melon. Smothersbee had gone all out. It was Christmas for him and he wasn’t leaving any presents unwrapped.

“Did you think I would be so foolish as to leave the sock this vulnerable?” Smothersbee taunted. “An artifact of this much power, left over from the Fifth Age? Of course not! And I couldn’t leave anything to chance! My dearest Boobs, did you miss your sister?”

Yvette Sexunfueller walked into the vault, all hips and attitude. The hips were nice. The attitude, not so much.

“Yvette! How could you?” cried Boobs.

“Money!”

“Damn you, Yvette!”

Flint took advantage of the feminine hysterics to make a play for the sock. He grabbed it in his beak and began shaking. He thought that’s how you activated it.

“What are you doing!?” Screamed Smothersbee. “Do you have any idea what you could do?”

“Yeah,” mumbled Flint around the sock. “Be human.”

With a final shake of his tiny head, Flint unleashed a wave of energy through the room. He dropped to his bird-knees and waited for the transformation. Finally, his long, waking nightmare was over. He was going to be a man again.

The light subsided. Flint looked around the room. Everyone was gone, or so it seemed. After the stars faded from his vision, he noticed a dozen small birds. They all seemed dazed, unable to move or speak. Flint remembered that feeling. It had happened to him too when he became a bird.

He held out a wing. He hadn’t changed back. He was still just a bird. Of all the lousy turns of events, this was probably the lousiest he could imagine.

He hung his head and whispered, “I thought it would turn me back.”

A soft voice answered him from nearby. He couldn’t locate it for a moment, until he looked down and saw that it was coming from the sock. He leaned closer.

“No birds into humans. Just humans into birds.”

Flint stared at it.

“FUCK”
THE END

August 4, 2011

The Reprehensible Beck-Man #407

So Glenn Beck is angry about the new Spider-Man being multi-racial.


Let's see what one of Spidey's colleagues has to say about that...



I can no longer find the humor in Glenn Beck's oh-so-thinly-veiled prejudice. The fact that millions of people eat this stuff up is just sad, dangerous and fucking annoying. What I do find hilarious, though, is Beck's attempt to wrap his head around the idea of comic book continuity. "So there are two Spider-Mans? What's going on here?" For a guy who seems to know everything (despite his stupid, stupid attempts to come off as some kind of noble investigative journalist), the idea of multiple characters and narratives in comic books seems to throw him off. Maybe we've found his Kryptonite. Someone please hit Glenn Beck with a hardcover of Earth X.

June 27, 2011

Skyline Commentary Track: Self Absorbed ≠ Self Aware

You don't kick retarded children. It just isn't done. It's in poor taste. And, you don't really need anybody to enumerate the deficiencies of a movie like Skyline. It's not a good movie. You know that. That's why you didn't go to see it (nobody did). You know who you can kick though? Assholes. If you see an asshole, kick it. If a retarded kid is running amok because his asshole parents are too busy being assholes to take care of him, don't kick the retarded kid, kick the assholes. Kick em. Just kick their teeth in.

So that's what I'm gonna do. I'm not gonna complain about Skyline. I'm gonna complain about the assholes that made it. And oooh boy are they assholes.

THERE IS A SCENE IN THIS FILM IN WHICH WRITER/DIRECTER/SPECIAL EFFECTS SUPERVISOR/ASSHOLE JOSHUA CORDES MASTURBATES ON CAMERA.

Yeah that's right.

It's not ironic or anything either, it's just part of the movie.

This movie isn't worth watching. Even if you're watching it explicitly to find terrible stuff that's easy to complain about (Trust me). But the commentary, oh shit the commentary.

The first thing you need to know about skyline is that everyone is a visual effects guy. EVERYONE. The writers: effects guys. The directors: effects guys. The characters: effects guys. Ironically, the effects guys seem to be... I dunno but not effects guys.

So these effects guys are just going on and on about how fucking awesome they are. I'm not fucking kidding. The dude introduces himself as 'an all around awesome guy', then he makes a big deal about how awesome he must be to have written this awesome script in an afternoon. Then he goes on about how awesome the characters are because they're just like him, and then the characters bang a bunch of chicks and he goes on about how the chick banging sequence is based on his real life experiences (presumably awesome ones). Then he points out all of the awesome cameos by his awesome wife, 'pet'. Oh and the apartment the movie is in is so awesome and it belongs to their awesome friend.

During all of this he's doing these fucking awful voices and he has this grating faux silliness like his 'personality' is just a bunch of Jack Black B-sides loosely held together with Paul Rudd's vomit.

Their commentary is totally devoid of content. They can't tell you anything about what the fuck is going on in their piece of shit movie because they might use that stuff in the 'Director's Cut' or the 'Sequels'. Oh yeah, great. That's great. That'll be awesome.

One sequence in particular is pretty astounding. A swarm of badly animated stealth bomber drone things with, 'nookyooler' weapons on them attack a big blue-glowing mother ship that hovers over LA and sends down occasional beams of blue light to kill everybody. The writers bemoan 'getting shit' from audiences who'll say, 'This is just like Independence Day!' What's with those guys? That movie was years ago!

It should be noted that the aliens look just like the aliens from Independence day. Or do they? Because, like the aliens from Independence day these aliens turn out to be mere shells that house the real aliens inside! It should be noted that these inner aliens, if the horrible CGI can be said to 'look like' anything, also look just like the aliens from Independence Day.

Also it's nothing like Independence Day! Independence Day falls for that tired old cliche of nukes that don't work. But in this movie the nukes do work. The awesome writers go on and on about how clever they are and how they're subverting the genre, and how that's 'how they get down', and man they're just so awesome! It's all so awesome!

Unfortunately they go off on a tangent of inside jokes and self aggrandizing name dropping before the following scene in which it's revealed that the nuke did not in fact work. How's that for awesome genre subverting!

Now, the thing about assholes is that they don't know they're assholes. More importantly, they refuse to acknowledge their behavior, even in the face of incontrovertible evidence. What we have here is a perfect crystallized microcosm of assholeness. It's the essence of jerk frozen in Amber. It's a teaching tool. Go listen to it. Is this how you act? Is this how you talk, or how you think? If it is, then you're an asshole.

I can already hear these morons defending their shit movie. Well, I'm not reviewing your shit movie. I'm reviewing you. You suck. YOU are an asshole. 'We were just having fun! Don't you get that it's a joke?' That's the same argument that Glenn Beck makes. The key is to ask yourself if you decided that it was a joke before you did it. It also helps if the joke is funny, or clever, or anything other than shit. 'Like other stuff but not clever or good', is not a joke, it's a sickness.

In the end, humanity is destroyed, and the heroes captured. The aliens harvest human brains and use them to control some poorly realized bio-mechanical warrior drones. As the protagonist's brain is removed and his body discarded, the writers pat each other on the back. If it's the opposite of what usually happens, it's good writing. Or else it's a joke, they'll decide later.

But what's this? The hero's brain has a strange red glow! He takes control of the bio-mechanical drone and thrashes around. There's some nonsense CGI and swelling music. Maybe it's a climactic fight or whatever. He grabs his oddly unfazed girlfriend and the two of them run off. The writers reveal their true intentions: This shitty Independence Day ripoff is just back story for their truly brilliant concept of a shitty Incredible Hulk rip off! It'll be just like the Hulk, but without characters, or personality, or anything anybody cares about.

They actually tout this as being something that somebody would want. They make funny voices and spout absurd catch phrases. They're awful. They're assholes. I hope they get help. I hope Roland Emmerich pees in their azaleas. But, above all, I hope that they stop making movies.

June 12, 2011

Imaginative Cartography, vol. 1: Villainy

This piece was a joint effort between Bobby and Andy Ray. It contains threads of friendship but also bitter animosity due to Andy Ray's incendiary racism against Canadians, a group to which Bobby belongs.

Cartography is something that I’ll admit I find a lot cooler in theory than in practice. Maps are, let’s face it, a little played out. [AR: Whatever, Bobbsey, maps are the shit!] Yes, back in ye olde days of exploration there was an element of danger in getting on a heap of sticks and just going “Fuck it,” before you sailed off to either your or some indigenous culture’s doom. There was no way of knowing if there was land over the horizon or a void, filled only by the maw of some hellish rapeshark (a species whose extinction in the late sixteenth century humanity collectively agrees was probably a good thing).
Rapesharks

Since then lasers and shit [AR: Satellites!] have made cartography kind of a one-note pony. You ask your robot “where am I?” and it tells you to within 5 micrometers exactly where you are and how many Chipotles are close to you thanks to the new Chipotle GPS (Guacamole Positioning Something) App. Gone are the days when there was any doubt as to where borders were, what a coastline looked like, and where a man could get a goddamned burrito right the hell now goddamit.

Which is why I was delighted, delighted I tell you, when my good friend Andy Ray and I sat down years ago with no purpose in mind more complex than to watch that episode of TNG when Data builds a daughter [AR: Her name was Lal], but instead ended up mapping something far better than mere space. That last sentence was grammatically confusing. Data didn’t map something greater than space, he only built a malfunctioning girldroid [AR: Gynoid] who died at the end of the episode and made us all ponder the true nature of humanity. In fact, I don’t even think that’s what Andy Ray and I were watching at the time [AR: It wasn't. I was wondering]. I don’t…

A portrait of Lal. Be at peace, sweet princess

Maps! The point is that Andy Ray and I did something great. We took up where Warren Mapp, the inventor of maps, left off before disappearing in 1706 [AR: 1707]. Upon her deathbed, Mapp’s widow (supposed widow, as there was no trace of Mapp’s remains ever found [AR: There may have been a toe.]) claimed that he had tired of the mere mapping of space and had moved into the sphere of the unknown [AR: “mapping of mere space”]. He claimed to have found, via the Northwest Passage, a realm, the heady realm, of Imagination. Wanting to document this new place, old man Mapp planned a trip for after the following spring’s thaw. But before the preliminaries could even be set into motion, Sir Warren Frampius Mapp, FRS, disappeared one night as if straight through his fluffy chair into nothing. The Presumed Widow Mapp claims he was one moment enjoying his evening tincture, the next just not there. Some claim that he was eaten by a Rapeshark of the Mind, just one of the many creatures prowling about the depths of the newly discovered Imaginary Realm. Some claim he just never existed. Still others claim that if you burp, fart, and sneeze at the same time, your head will implode.

I’m here to tell you that Andy Ray and I not only visited the Imaginary Realm, we motherfucking mapped it. Starting with Villain 3-Space. Take it away, Andy Ray.

[AR: Mapping the immaterial realm is not like mapping the sticks an mud that cling madly to our terraqueous orb {B: He actually wrote “an mud,” the idiot [AR: It's called 'an typo', you son of a ...{B: It’s called “not checking everything you write, and it’s a sign of mental weakness}]}. Locations are not primary, only relations. One cannot ask, 'Where am I?”, or “Where is that?”, only, “How can I get there from here?” To safely navigate the mind one needs signposts, way-points, known quantities. Unfortunately, the closest of the fictional realms is also the least hospitable, the realm of villainy, and navigating it blindly can be quite difficult indeed {B: see rapesharks for one example of just how difficult}.

This, alas, appeared to be the fate of poor Reverend Mapp, when young Robert stumbled across his desiccated 'remains' in the abandoned lair of a creature too horrific to describe here. We, on the other hand, came not unprepared, for we had sought out this journey, and, more importantly perhaps, had come from a more genteel time in which even small children are more than capable of defending complex and multilayered theses on the relative strengths of Batman and Darth Vader, and the likely outcome of their tactical engagement {B: Batman, given sufficient time to plan, but Vader if they bumped into each other in a dark alley. This has been proven by multiple branches of science}.

It was just this sort of schoolyard argument which gave us the signposts we needed in order to avoid the terrible fate of less fortunate explorers: The age old conflict between pirates and ninjas.
It bears mention that this is by no means the only method of mapping, merely a convenient place to start in order to avoid the clutches of the beasts that roam the unmapped wastes. In fact any set of villains which diverge enough to span the space would be sufficient to define it, but we found these more than adequate to begin our venture and afford our escape.

The theory was simple: This rivalry is archetypical because it distils two totally separate approaches to a similar issue. Ninjas and pirates represent this duality in its pure form, and all other villains must be definable as some linear combination of the defining difference between these two, whatever that difference was. But, I say it was enough to begin, because it was only a beginning. Although many truths about the nature of fictional villainy, and particular fictional villains could be gleaned from our naive assessment, we needed another axis to make a real map, one dimensional map making being, gauche at best {B: at best, people}. That was when we stumbled upon a second duality, just as fundamental as the first, but for some accident of history not as well researched, ghosts and robots.]

The continuum outlined by these axes is one of relationships [AR: Yeah, I covered this, Bobster, try to keep up.]. Pirates and ninjas are not just enemies, they’re opposites in one very fundamental way: discipline. The relationship between pirates and ninjas is defined entirely by the fact that ninjas are steel-nerved, rigorously trained, death-dealing assassins of the most obdurate discipline, and pirates are a bunch of lunatics who barely, barely, manage to not all murder each other to get some booty, be it of flesh or of gold. One imagines that the first thing either side says upon encountering the other is “would you take a look at these assholes?”

Ghosts and robots represent another even dichotomy between the supernatural and the scientific. Ain’t nothing scientific about ghosts, much as Syfy (sic) would have you believe. Anti-likewise [AR: !], robots represent the highest pinnacle of human scientific endeavor; maybe one day we could have sex with them. I digress. [AR: You certainly do.]

Having grown up in three dimensions [AR: Did they finally spring for that 3rd one up in Canada?{B: Yep, and it’s certainly putting your whole obesity epidemic in vivid and disturbing detail} See footnote.], Andy Ray and I are kind of use to that number. We tried navigating the immaterial realm with just the two axes to leap from villainous peak to villainous peak, but we found that we were just moving from plane to plane. It was a problem until Andy Ray just looked up, then down, and said “hey, another axis.” This one too had a specific villain on each end, this time represented by the difficult-to-pin-down yet extremely important concept of agency. The two poles of agency are the individual who is entirely in control of his actions, the serial killer, and the individual who lacks all control, a beast. The relationship between the three axes and the famous archetypes and individuals found along its various edges and points is he crux [AR: “he crux”{B: shit}] of our adventures in villain space. To make a long story less long, you can combine these shits into a bunch of other shits.



Villain Space

[AR: And, with this last piece of the puzzle, we now had sufficient data to map the entire space! This in itself, however, was not enough. Just as merely knowing that the Earth is round does not constitute a map of the Earth, merely knowing that the villainous mindspace was a cube did not constitute a map. We took it upon ourselves to expedition into the unknown and fill in the blanks. This task completed, we escaped that hellish plane and returned to wherever, but with us we brought back knowledge!

The original map, carved from amber and hemlock, and held together with handwoven hemp (Who knew Bobby was an expert in three dimensional ambercraft?{B: Actually, all Canadians can do this; it fills the time in school when we’re not being taught Creationism in our science classes} See footnote.) is in the permanent collection of the Institute of Astral Cartography in Lisbon, but we kept the one I made out of cardboard and duct-tape.

This cube has since proved invaluable in the ongoing study of fictitious villainy. Note that related villains are often reflections of one another along the agency or disciple axes (or both), but almost always occupy the same plane of technology. Notice that seemingly unrelated villains in close proximity to one another often share characteristics. Supernatural beasts without agency, for example, (werewolves, zombies, Cth-lhu cultists, etc.) threaten to steal our own agency away from us, and even the alien xenomorph (a reflection along the technological axis) retains some of this infectious quality.

These are merely broad first strokes, and represent but a few of the insights the cube has to offer. Where do other beasts and monsters fall on the list? Can the technique be used for heroes or other archetypes as well? What other knowledge does the cube contain? That, friends, is for history to decide {B: I would like to interject in order to say that using the three axial criteria on a hero allows for interesting comparisons and juxtapositions. For instance, If you move to the section demarcated by the three concepts of +agency, +discipline, and neutral scientific/supernatural, you get Hannibal Lecter. The same section in a hero would yield Batman. –agency, -discipline, and +scientific gets you Mr. Hyde in the realm of villainy. But the same criteria for a hero yields the Hulk. The question I have is this: Is there a new realm to map for heroes, or is there simply a new, fourth axis defined by morality, of good versus evil? A new expidition may be necessary to find out.}.

The word 'monster' comes from the Latin, 'monstrare', to teach, and earlier from, 'monere', to warn, roots it shares with the modern words, 'demonstrate' and 'remonstrate'.

That is the secret of the cube.

It may at first appear as a childish comparison of movie creatures, and mythical beasts, and to be sure it is that, but in the end monsters aren't about monsters, they are about us. So to is the cube about us. So to is the cube a lesson.
And a warning.]

B: Jesus, what a drama queen. Anyway, we invite you to play around with the cube. Fill it with your own discoveries. See what happens when you tweak just one of the criteria. My favorite so far is how you can take the mummy (-agency, +discipline, +supernatural) and flip him along the supernatural axis to become the Terminator (-agency, +discipline, +scientific). Many brave explorers, sherpas, and hugwolves (to protect against rapesharks) died so that Andy Ray and I could bring this information back. Use it in good health, and, uh, always carry a…extra wallet. Or…shit. We should have ended on Andy Ray’s thing.

A Footnote:
As of 2004, 23% of Canadians over 18 are obese, and 60% are overweight. In Saskatchewan and Newfoundland the obesity rate is higher than 30%.

Big Valley Creation Science Museum (IN CANADA) Box 340, Big Valley, AB, CANADA (CANADA) TOJ OGO (What the hell kind of zip code is that?) www.bvcsm.com (Cool, you found a house on the internet. Hey look, an entire one of your states)

Canada's Science Minister is a creationist: http://blogs.discovermagazine.com/badastronomy/2009/03/17/is-canadas-science-minister-a-creationist/ (A politician many Canadians lambaste versus most of your country

Also, just for shits and giggles: Birthers!

May 2, 2011

The Shooter

Cresting the hill, I once again let blow the horn, and following, one of the deerhounds made reply in kind. The houndsman was upon him in a moment, and with quick praise and a pat to the head. "Yes lad, that'll be good to put the fear a god to them." I was to make light with a jest when an interruption arose from the thicket acrost our path. I trained my iron to it, losing the jest for all time, but twas not beast but man that ambled from the thicket, and a man of peculiar state indeed.

At first, judging from his dress which consisted of loose pants in a peculiar bright blue fabric and a red fitted shirt beneath a loose cloak, I took him to be Mahometan or Cathayan. And, when the cloak turned out to be short and hooded I thought perhaps he was an Esquimaux. But when he spoke, his mystique instantly faded and his origins were made plain as if they had been written acrost his face. His cadence and quick joviality had markt him. He was a colonial. "Helloo!", he bellowd, and I instantly took a dislike to him.

I left the iron on him, and plumbed his humor. "You sir have committed trespass against me. State your business at once, and be gone." He seemed sufficiently impressed by this, and apologized quite amicably. "I'm lost, you see, and I intend to find the world's greatest Sandwich." This confounding phrase he uttered with every ounce of respect as it had been the bones of St. Boniface the apostle he sought, and he became quite agitated when I informed him that Sandwich was at least three days hard walk from our hill. "Not Sandwich the place" said he "but Sandwich the food". By which, he explained, he was meant to be understood as referencing a meal prepared betwixt two pieces of bread, as in the manner preferred by the First Lord of the Admiralty, although I had never heard him to have such a predilection more than any other man.

I did however, have just such a repast and made it known to him. Cook had, as she is wont to do before a hunt, made slices from an uncooked beef roast into a meal for consumption while ahorse, and I set my man to bring it up. The colonial seemed altogether pleased by this and made quite an inspection of the thing, asking all manner of impertinent question, before I, bound by honor to aid any man on such a religious quest, absurd as it may be, offered him a wedge. At this he became quite deferential, and made himself ready as if sitting to a St. Crispin's feast with the King himself. He took the wedge and made a very small bite from it, savoring the morsel, and exclaiming with an Indian word, as colonials sometimes do, "ohshitjeah!"

From here he commenced to devour the remainder without pause, and immediately thereafter, without breath or thought, began frantically searching for a method to document the experience, as though it should be lost with the ringing of Nones. I offered him the use of my desk, which pleased him greatly until I told him it would be several hours back to the grounds. But just as suddenly he became giddy again and asked if I ought not document the experience along with the meal and add it to my personal papers. I told him that I could not but document the day's events as they had been so singular, and the hunt just begun, which caused him to become quite deferential again, and he thanked me profusely as though I had done him some service. With this he made a little show of pronouncing upon me the honor of greatest Sandwich, although I am of no relation to the man, and when it was completed, he made his farewells and returned to the thicket, as though it were his home.

We ran down two bucks and I shot the both. The larger is of a size which would indeed be notable were it not for the other queer events of the day, and I shall take it to Cook myself, by way of asking after the meal which intrigued the colonial so, that I might write it out as he had bade me do atop the hill.

Shallots and Mushrooms are to be diced in handfuls.

They are mixt and cooked with a quantity of butter. Cook adds whatever seasonings are close to hand, including anchovy paste, which is the flavour I believe the colonial to have referred to as Worcestershire after his strange tendency to call foods after names that are properly places.

The top is removed of a loaf of bread, and inner breads removed.

Two steaks of beef cut from an unprepared Sunday Roast, lightly seasoned and well seared upon both sides.

The first steak is to be placed inside the hollowed loaf, with the shallot mixture atop it, and the second steak topmost. Spreads are added to the loaftop, Cook uses her horse radish mustards. The top is returned to place before the thing is wrapt and left under a heavy stone cutting board in the larder over night.

Here then is the process in full. I know not how this document is to find my odd colonial friend, as he seems certain it will, but I hope, in any case that it finds him well, and with a sandwich close to hand.


John Crofton 16th Earl of Shrewsbury
Second of April, 1821.




The Shooter Sandwich:

Difficulty: 8.5
Deliciousness: 7
Greatness: 10

(Ratings are calibrated so that a standard BLT has a rating of 1 in each category)

April 19, 2011

The 192nd Annual Franco Awards


Hello ladies and gentlemen, and welcome to the Franco Awards, the only awards show that recognizes great achievement in Franconess.

I'm sure that everyone saw last night's live broadcast of the artistic achievement awards, but let's do a quick recap of some of the winners before we dive into tonight's showcase of technical achievement in Francosity.

Best Actor:
James Franco

Best Episode of a TV Show:
That one 30 Rock With James Franco and Kamiko-chan

Best Fictional(?) Character:
Franco From General Hospital

Best Novel:
Palo Alto by James Franco

Best Multimedia Art Instillation:
Three's Company, The Drama by James Franco

Best Stunt Pilot Group:
The Blue Angels, Featuring James Franco's Smile


So, with that out of the way, let's dive right in to our categories for Technical Achievement in Franconess! Here to present our first award are James Franco and a bear.


You know, James, it isn't easy to be the worlds best writer, actor, director, and artist, or to be a world renowned athlete, philanthropist, and sex symbol, but what's really hard, is to grow a great mustache. And that's why we're here, to acknowledge Technical Achievement in the Francness of Mustaches. Here are the nominees:

And the Winner is:
America


Ok, thanks, guys. Let's move on to our next category: Technical Achievement in Narration by the Character 'Ryan' from the Short Story Collection, Palo Alto. This is a new category, because Palo Alto is a new GIFT OF THE FRANCO, and we're all excited to see how it turns out, so here to announce the winner is... Well, this is a treat, ladies and gentlemen. Give it up for James Franco!



Thanks, everybody, and a special thanks to Franz Kafka, for being almost as awesome as I am at one of the things that I do. Today I'm going to read for you some selections from the critically acclaimed best seller, Palo Alto. All of them are amazing, but only one can be Franco. The nominees are:

1. 'Half-White' from James Franco's Halloween:

Ed was half Korean and half white because
his mother was Korean and his dad was white
from Gary, Indiana.


Wow, powerful, informative, amazing. The juxtaposition of arbitrary racialization of identity and the suggested failure of American manufacturing is haunting.

2. 'Cameras' from James Franco's Halloween:

Funny how new facts pop up and make you doubt
that there's any goodness in life. Everyone pretends
to be normal and be your friend, but underneath,
everyone is living some other life you don't know
about, and if only we had cameras on us at all times,
we could go and watch each other's tapes and find
out what each of us was really like. But then you'd
have to watch girls go poo and boys trying to go
down on themselves.

Never before has an author really captured the idea that no one wants to see girls poop.

3. 'Ninja Turtles' from James Franco's Killing Animals

I liked Michelangelo too, but I was even less funny
than Ronny. And I wasn't wily. Leonardo was the leader,
Donatello was a scientist, and Raphael was a great fighter.

Real literature makes bold statements. It doesn't address an issue and then leave it to the reader to fill in a position. It states boldly. Leonardo WAS the leader.

4. 'Nougat Ovates' from James Franco's Killing Animals

The streets were an empty stage set. All the rules of the
daytime were gone.
Each block was lined with gray light posts, with ovate
lamps at the top, which cast white-yellow beams onto
the cement. The center of the beams, where they hit the
pavement, was like nougat.
We passed through the milky light and into the shadows.
Bushes were sentient, and trees shook their leaves in bunches
like animals shaking their hides. The wind came in languid
gusts like whispered reminders.
We heard cars drive in isolation down Oregon Expressway,
in the gray zone, out of sight.
The atmosphere was a held breath, and the shadowed
house fronts were sleeping dogs.

Now that's how you write a short story! Metaphor! Simile! Another Metaphor! Color! Simile! Astounding!

And the Winner is:
'Nougat Ovates' by James Franco

Now keep in mind that these selections are all narrated by the same character, Ryan. The Ninja Turtles thing? That's the same kid, the same story, the SAME PAGE as 'Nougat Ovates'. Can you say 'character development'? Franco can.


Wow, thanks, Jimmy. Can we call you, Jimmy? I just feel like we're brothers now that you've touched my soul with your words. Anyway, moving along. Our penultimate category is Achievement in Franconess as a Psychotic Dictator. This one has always been a bit controversial, but hey 'controversial' is Franco's middle name. So, here are the nominees:

1. João Franco, Portugal, 1906-1908
I mean, he's a despot and his name is Franco. What do you people want from me?


2. Francisco Franco, Spain, 1939-1975
'75? That's a pretty good run, Franco.


3. James Franco, Our Hearts, 1978-Infinity
We love you, Jimmy!

And the Winner is:
Really? The winner is Francisco Franco!

Here to accept the award is James Franco as Francisco Franco.


Muchas gracias, soy Francisco Franco, pero mis amigos me llaman Franco Franco. Estoy muy contento la estar aquí con Franco y Franco, hombres tan franco. Franco, Franco franco franco franco Franco franco.

Wow, that was an upset. And speaking of upsets, here to announce the nominees in our final category, for Technical Achievement in the Field of Girl Francos, is James Franco in a ladies wig.


Thank you. Thank you. I'd like to remind everybody that tonight's Franco Awards are sponsored by Nivea, I guess it's for it you aren't naturally perfect. Girl Francos are a very important part of Franco, and require quite a bit of technical ability. The nominees for Technical Achievement in the Field of Girl Francos are:

1. Girl Franco on a Magazine Cover.


2. Girl Franco at the Oscars.


3. Girl Franco I don't know what.


4. Although he's very masculine, and I am a heterosexual, I find regular every day James Franco to be beautiful like a lady.


But, before we announce the winner, here to accept the award from James Franco is James Franco!


Fellas? Fellas? Well, that might be a while, and unfortunately we are out of time, ladies and gentlemen. Be sure to tune in next year when Franco will franco a Franco, live on Franco.

Goodnight, and good luck, America.